Comic addressing issues faced by Hungarian migrants

‘I’m Only Happy When it Rains’ is the fourth comic in the Whatever People Say I Am series. It’s aim is simple: To put a human face to statistics and challenge stereotypes. It features a Hungarian migrant I interviewed a couple of years ago as part of the New and Emerging Communities research project with Dr. Loretta Trickett for the Police Crime Commissioner Paddy Tipping.

For the past three years I’ve been working in collaboration with Dr Loretta Trickett of Nottingham Trent University to create two comics that address the issue of new and emerging communities. One key area of her research is barriers faced by migrants and refugees as they integrate into the host country. She is also interested in ways in which understanding of migrant communities can help reduce Hate Crime. These sentiments bode well with Whatever People Say I Am – the follow-on project to Dawn of the Unread. Our other reason for collaboration is to help make academic research more accessible. Often, it’s hidden behind expensive paywalls and read by a privileged few. The comic format allows us to distil the essence of this research and frame it in a format that will reach a broader audience.

This has been a slow process for numerous reasons, the main one being that we have interviewed lots of people to find the best story to address the issues. I originally set out with the intention of featuring Roma people as I think modern life makes it increasingly impossible to live a simple nomadic life and I was eager to represent such issues in a comic. Similarly, the beautiful colours associated with the culture lent itself to visual representation. But as is often the case with research, the focus changes the more people you meet.

Taken from the Syrian comic ‘What is Coming’

In the end, we featured Syrians in our first of two comics addressing this issue. This made sense as some had settled in Nottingham as part of the Vulnerable Persons Resettlement Scheme – and so we had a strong local link. But this created its own problems, such as which of the 20 or so Syrians we interviewed do we make as the main narrator – particularly given that they all had such incredible back stories. In the end I opted for a teacher called Maamon as through his adult classes we could introduce the lives of some of the other Syrians.

Since then, we have been working on the second comic addressing new and emerging communities. This features a Hungarian migrant who comes to work in Nottingham post-Brexit referendum. I was drawn to this story because it was so positive and features an independent woman with a strong work ethic who has no fear of integration, believing hard work can help you settle anywhere – she had previously worked in other countries too. I won’t give away the premise of the story other than to say it’s called ‘I’m Happy When it Rains’. The weather plays a significant part in the storyline and was also an opportunity for me to give a nod to my adolescence via The Jesus and Mary Chain.

This is the first comic that Paul Fillingham and I have worked on together. It’s been a very slow process because Paul has had to fit this in around his day job (running Think Amigo) as well as teaching himself new skills, such as 3D modelling. But I’m really glad we’ve had this opportunity to properly do something together. We’ve worked together for nearly ten years now, so creating a shared story together is a lovely way to celebrate this.

The comics are partly funded by Paddy Tipping, the Police and Crime Commissioner. In an article for the comic, Paddy reflects on his tenure as PCC and said: “Britain is more diverse than ever before. Nottinghamshire is a rich mixture of races, cultures, beliefs, attitudes and lifestyles. I want it to be the most welcoming county in the country, a place where people can be who they are without judgement or fear.”

He is genuinely committed to ending hate crimes of all sorts and recognises the importance of getting this message out in a way that’s befitting of the people and issues it addresses. It’s hoped that we will be able to put printed copies of the comics in public spaces – libraries, community centres, etc to trigger debate and discussion. It will also be used as a resource in schools. The comic will be available on our website by the end of the week.

Until then, the Police and Crime Commission elections are happening up and down the country on 6 May. In Nottingham the candidates are: Paddy Tipping (Labour); Caroline Henry (Conservative); David Watts (Liberal Democrat). Please take the time to research the candidates and vote. We know who we will be voting for…

Dawn of the Unread explored Nottingham’s literary history and was created to raise awareness of low literacy levels in the UK. Whatever People Say I Am is our follow-up project and challenges stereotypes. This blog was originally published on the Dawn of the Unread website here

Further reading

 

#LeftLionIs15 – 15 years, 100 covers…

Photo LeftLion

Leftlion celebrates its 100th issue this month after 15 years of rattling on about Nottingham. The magazine began life in black and white and was originally published bi/monthly. It went monthly a few years ago, and more recently it’s shrunk a little in size. The weight loss is down to being funded entirely through advertising and a necessity to help break even. The Guardian recently went on a diet, so we’re not alone in slimming down to the tabloid format. LeftLion is increasingly expanding into digital as it adapts to the needs of new audiences, so it’s quite an achievement to still be publishing a print version given the brutal economics of print media. Each month, 10,000+ copies are distributed to 350+ venues across the city, and I’ve helped deliver them as well as writing the copy inside. I’ll be picking up a copy and adding it to my collection of memorable magazines and papers (Kurt Cobain’s suicide – NME, Barack Obama’s inauguration – Guardian, last day at Raleigh – Evening Post) that will one day shift a few coins on ebay or, more likely, offer kindling for the fire.

Photo LeftLion

I was the literature editor for 13 years and thoroughly enjoyed my time working under Jared Wilson, Al Needham, and Ali Emm. All of them had their own distinct ideas and vision about LeftLion’s role in pimping out Notts. The current editor, Bridie Squires, is barely in her twenties, and so the magazine will invariably take on a more youthful view of culture. And rightly so. Nottingham has changed dramatically over the years. Milton’s (pub) no longer takes pride of place in the Viccy, the xylophone man has been replaced by the iphone man – yoots rapping over the top of recorded tracks for money, and the fountains in Market Square have been slabbed over to make way for a giant sandpit in summer and an ice rink in winter. The ice rink got the Nottingham stamp of approval when someone carved ‘cunt’ into the ice so that it displayed on the live feed hosted on the council website. It totally captured the Notts attitude: Lairy, Sweary, Quite Contrary. This act of vandalism brought me almost as much pleasure as the lad that queued up for two hours so that he could punch Peter Andre at a book signing. Or Lord Biro, a professional mitherer, who stood in a local election promising to make the burqa compulsory for Kerry Katona because he was sick of seeing her face everywhere.

Lord Biro shuffling through his bag of flyers. Interviewing singers/songwriters in the Dixie’s Arms for forthcoming BBC4 programme on mining dialect and poetry. Photos by James Walker.

It was very difficult to step down from Leftlion but it was the right time. I’ve done my bit for Notts and now it’s time to do a bit for mesen. At present, this includes: working on a BBC4 Radio programme called The Tongue and Talk of the People (due to be broadcast in May); Dawn of the Unread II: Whatever People Say I Am (sometime in 2018); and DH Lawrence: A Digital Pilgrimage (2019). The latter two projects both involve digital storytelling and are created with my partner in crime, Paul Fillingham (Think Amigo). Check out our Lawrence instagram account to see how we’re building an archive of byte-sized chunks of info about Nottingham’s favourite potty mouth, or say hello on Twitter. There were other reasons why it was the right time to step down in terms of the artistic direction of the magazine, but I’ll save them for another blog. The sun has just come out and I want to get in the garden and chop some logs. It’s where I do most of my thinking, and like DH Lawrence, I find it therapeutic:  ‘You have no idea how soothing to it is to the nerves’ he explained to Dorothy Brett. ‘When I am in a temper, I like to run out into these quiet woods and chop down a tree; it quiets the nerves. Even chopping wood helps; you’ve no idea, Brett, how much it helps. That’s why I like doing it.’

Photo James Walker.

To celebrate reaching 100, LeftLion are publishing a book of their front covers. I’ve been involved with a few of these, such as Scab City, the Sillitoe Issue, Nottingham: Then and Now, and a spoof version of William Booth’s In Darkest England. You can support their kickstarter campaign #LeftLionIs15 here:

Photo LeftLion.