More Obsessive Reading

Photo James Walker.

It’s been a long standing joke among friends that I take more books on holiday than clean pants but on a recent five day holiday to Middleton-on-Tees I surpassed my own ridiculous expectations by taking eleven. However, I think I can justify the excess. Firstly, as this was a holiday in England it didn’t really matter how many books I took as I didn’t have to worry about smuggling an overweight suitcase through customs. If anything, I’m surprised I didn’t take more with me. Secondly, each book was selected for a very specific purpose. You don’t limit yourself to one friend, so why do the same with books?

The Lonely Londoners (1956) by Sam Selvon was the August choice for book group and so I needed this to take notes to record it for a future blog. So as I’d already read it, this one doesn’t really count. The Collected Stories of Alan Sillitoe was one I could dip in and out of at any point and can be viewed as a snack between meals. As I’m tweeting all of Sillitoe’s work, it’s easier to read short stories and take notes as one story can be tweeted over a whole week. I’m off on holiday again soon and so I need enough tweets to cover this enforced absence which will be uploaded via Hootesuit.

Photo James Walker.

I’ve put off reading the Sillitoe biography The Life of the Long Distance Writer (2008) by Richard Bradford for a long time because Sillitoe’s two autobiographies, Raw Material (1972) and Life Without Armour (1995) are so good I didn’t see the point of reading it, even though it was authorised. But it has functioned as a kind of ‘refresher course’ in his life and work that has helped clarify a few facts for The Space project. As it turns out I’m really enjoying it and it became the book that shared my pillow at the end of play.

The remaining books were all to do with Nottingham, the River Trent or the Nottingham Canal and were purely for research. The fourth location on the Sillitoe Trail is the Trent and I’m still not entirely sure how to approach this and so I wanted to consume as many facts as possible. Portrait of Nottingham (1974) by former Post journalist Emrys Bryson was lent to me by Al Needham and comes with a forward by Sillitoe and was used as a fact checker. Nottingham: Settlement to a City (1953) by Duncan Gray was borrowed from Wayne Burrows and like the previous book is an absolute delight. I particularly recommend Appendix II: Long Row in 1879 which just goes to show how little things have changed. It was from this book that I used the Frame-breakers image to accompany Christy Fearn’s investigation into the Market Square as a historical site of rebellion for Event One on The Space.

The canal books helped piece together how waterways developed to support industry before becoming redundant due to the development of rail and car transport. But the book I couldn’t put down was Portrait of the River Trent (1968) by Peter Lord. It’s a magical read that brings the Trent to life and in places is like an eulogy for a lost lover. It’s certainly a match for Roger Deakin’s Waterlog (2000).

The Space finishes on October 31st and so it needs my undivided attention. Therefore I use the term ‘holiday’ in its loosest sense. It just means paying to stay in someone else’s house while reading, writing and researching. Nothing changes really, other than the beautiful scenery outside the window.

Twitter as an archive for reading?

Image by Gerd Altmann from Pixabay

When reviewing a book I always have a pen and paper at hand to scribble down important quotes or page references. These are then typed up and filed away for future reference on my hard drive. This means I have a massive archive of everything I’ve read that I can dip into at any point. Now this process has had a digital makeover courtesy of Twitter and I’ve set myself the task of tweeting every book ever written by Alan Sillitoe. It’s completely changed the reading process and made me think about literature in a completely different light.

When I first started tweeting I was interested in how regularly I was posting quotes. I could feel the pace of the narrative by seeing where large chunks of text appeared together. Similarly, some stories warranted a lot more tweets than others which may serve as a criticism of the narrative. Perhaps this is the natural progression of the literary review in the digital age, something Will Self is examining on The Space in Kafka’s Wound. As a lover of maps, Sillitoe may have appreciated these extra topographical details.

My Twitter account feeds into Facebook but I’ve now removed this because I think it’s unfair to inflict such a stream of consciousness on people. The medium is the message and so Facebook renders the experiment indulgent. Twitter on the other hand is perfect for these continuous bouts of expression. Now I’m using Hootesuite to schedule tweets to create greater anticipation of what comes next in the story and so that I can maintain a constant stream of Sillitoe’s work.

I’m hoping that people will try and guess the book or engage in the conversation by recommending their own quotes. Even if they don’t you still gain feedback through who retweets what and how many people follow or leave you. Since using Hootesuite I now have 75 followers, up by 5. This would suggest that drip feeding information is more favourable although this might simply be because it creates higher visibility.

But the real beauty of Twitter is using it as an archiving system. Scrolling back through stories you quickly gain a sense of recurring themes, characters or descriptions. Patterns are the lifeblood of journalism. This in turn makes you a curator which brings with it responsibilities. For example, punchy quotes may work best but if you don’t include basic details, how will readers be able to follow the story? Should politically incorrect descriptions be included that could potentially cause offence to a modern audience? And is it right to merge quotes together to make the tweet more effective or should you remain completely true to the book? Such ethical considerations are the very essence of our project Sillitoe: Then and Now on The Space. Come and have a natter.

Arthur Seaton@TheSpaceLathe