D.H. Lawrence Memory Theatre project launch on Lawrence’s 135th birthday



For the last five years, Paul Fillingham and I have been working on a digital project to celebrate the life of D.H. Lawrence. We’ve done this without any funding (because we haven’t had time to apply) filling up every spare second of our evenings after a hard day’s slog. Our intention is simple, to bring Lawrence (kicking and screaming) into the 21st century. We don’t claim to be Lawrencian experts and fully expect some of our suggestions to be ripped apart. So please do tell us when and where we have got something wrong and we will consider revisions (although not biases). Our memory theatre will contain the good, the bad and the ugly: the complexities and contradictions of a human life.

It’s taken five years because this is how long we’ve needed to immerse ourselves in Lawrence’s phenomenal literary output – and we still haven’t touched the surface. Lawrence once chided Mabel Dodge Luhan that, ‘You don’t know your floor until you have scrubbed it on your hands and knee’. We’ve taken this attitude with the memory theatre. We don’t know Lawrence until we’ve read every word written by him or about him.

Representation of any author’s work is a challenge because there are so many interpretations of their work. This is particularly true for Lawrence who has been reviled and loved across the decades.  We understand how important it is to get things right. This means reading, reading, reading. Lawrence is a complex beast who can easily be misinterpreted. He can be infuriating and unbearable. Then profound and evocative. One thing he is not is mediocre.

To help challenge and cement ideas, the Memory Theatre project has been a dissertation option at Nottingham Trent University for the past four years. This has given me time to select and curate various aspects of Lawrence’s work, to identify recurring themes, and, more importantly, to understand what these themes mean to younger, digitally literate audiences. His ideas on money, industrialization, rananim, and the environment seem increasingly more relevant.

Paul has been constructing the website and coding for the project, thinking about the way the Memory Theatre can be accessed via different devices, developing the logo and branding, and visualising how the artefacts will appear. Due to Coronavirus, the memory theatre will have to be digital for now and so we need this to look right. This takes time.


Our intention was to launch the memory theatre in 2019 to mark the centenary of his self-imposed exile. But instead we are doing this today, on his 135th birthday, where we have our first artefact: Mr. Muscles. This is in recognition of his incredible work ethic, and the good spirit in which he approached life. Juliette Huxley said Lawrence cooked ‘as he did most things, with a radiating creativeness which was contagious. Even washing-up had its own charm, enriched with the satisfaction of putting everything back in its chosen place, glowing with fresh cleanliness.’

Lawrence constantly reminds us that we are transmitters of life and what we transmit has an impact on the way we perceive the world as well as the way we make others feel. Paul and I have given the memory project every ounce of our being. We hope it ‘radiates creativity,’ by pushing the boundaries of digital literary criticism and as an alternative to the linear biography.

You can visit the project website here and read the opening artefact essays using the links below.

Artefact 1: Mr. Muscles

Essay 1: A model of Neatness and Precision

Essay 2: Loves the Jobs you Hate

Essay 3: Roadmap to Happiness

Essay 4: We are Transmitters

Animating graphics for Sillitoe project Cheap Gossip for Retail Later.

This is the third of three blogs originally published on the City Arts website for Words for Wisdom, a project which aims to bring older and young people together through literature. During my commission we explored Alan Sillitoe’s Saturday Night and Sunday Morning and uncovered an incredible artist called Paul Warren who illustrated the animated graphics for the project: Cheap Gossip for Retail Later.

Whenever I complete a commission there’s that moment where you sit back and reflect on what went well and what you would do differently. Working with City Arts has taken this to another level, clarifying what it is I’ve been doing all my life: I basically find excuses to talk to people.

Journalism is all about navigating a city through the minds of locals, discovering the weird and wonderful things that people get up to – the woman who sends the Queen a teddy bear every year, the puppeteer who wants to cover the Council House in felt. I’ve met them all over the years. I’ve always believed that my digital projects were a celebration of literary heritage, but really they’re an excuse to collaborate with a broad range of disciplines and people. The Sillitoe Trail explored the enduring relevance of Saturday Night and Sunday Morning through a beatboxer, jazz bands, a historian, memoir, actors, writers and many more. Dawn of the Unread enabled me to promote organisations I strongly believed in – Sparrow’s Nest Anarchist Library, The Nottingham Black Archives, The Women’s Centre, the Bertrand Russell Foundation. For Words of Wisdom I’ve met people I wouldn’t have come into contact with otherwise, some of whom I now consider as friends.

In the 20 sessions we hosted across four venues in Nottingham, we used Sillitoe’s writing to reflect upon our own experiences. Some people were uncomfortable with writing, others were unable to write on account of their physical health – such as Brenda at Radford Care Group, who has such severe tremors she joked ‘imagine what it’s like when I try and eat me dinner’. Instead, they shared their memories verbally. The purpose of these sessions wasn’t to force people to write, rather to express and share ideas – whatever that may entail.

During one session, a participant who had served in the army from 1961-4, said he was more comfortable with drawing than writing. He was very dismissive of his art, but agreed – after a little encouragement – to send over a sketch later that evening. His email would change the entire shape and format of the project. His name is Paul Warren.

Paul’s sketch, drawn on an ipad, was of a group of drunken men. The style is reminiscent of a watercolour due to the texture and brush strokes, with some aspects given more emphasis than others. This created the feeling of the characters being both present and absent. Paul explained that he was influenced by the concept of Impressionism, drawing glimpses of moments rather than the completed pictorial composition. I personally loved his characters long flowing limbs which created a sense of inebriation – you could feel the alcohol running through their limp bodies. It felt like they could collapse at any time. His work reminded me of Paul Waplington, the Nottingham artist who captured the liveliness of people and places through his rhythmic paintings.

I had originally intended to create a YouTube video for the project output but instead opted for a series of vignettes to be animated by Paul’s artwork. Each one would include a framing quote from Sillitoe, and then an audio of a participant’s story. At first, Paul couldn’t see the value of his work. He felt he had underachieved in terms of an art career, perhaps because his working life had not afforded the time to perfect his craft, but me and Kate Duncan took a different view. He’s an incredible talent, and we wanted him to be the fulcrum of the project. He later gave us access to his dropbox account where we unearthed hundreds of portraits of people.

This is why projects like Words of Wisdom are so important: They allow space for creativity. They place a value on self-expression. They provide validation to hidden talents.

Better late, than never at all…

Words of Wisdom: Choice Gossip for Retail Later, 12 November (6pm-8pm), City Arts, 11-13 Hockley, Nottingham. NG1 1FH   

Book tickets from Eventbrite here 

You can view the animations here