Radio Daze

The Midlands, the tight belt keeping in the flab. Photo: Wikipedia.

Author Robert Shore contacted me through LeftLion a year ago about a book he was writing about the Midlands. His central argument is that the Midlands is a forgotten region and all cultural arguments position people as either belonging to the north or south. He was after a local phrase to capture this and I suggested Neither Use Nor Ornament, though he eventually went with Bang in the Middle. I was really intrigued by his book as it was much needed and so I explained, or rather confessed, how the last ten years or so of my life had been dedicated to promoting Nottingham culture and history from creating The Sillitoe Trail to my current project Dawn of the Unread.

A few months ago he got back in contact to tell me the book would be coming out in April (there is a review in the next LeftLion) and that after five years of trying, he’d managed to persuade BBC Radio 3 to commission a series of essays on the Midlands. He asked if I’d be interested in writing one.

I mention this as an important tip to aspiring writers. Most commissions come through people you know. This isn’t nepotism. It’s serendipity. I write for free for LeftLion but through this I get to meet lots of people within the industry. The digested read: You create your own fate.

I pitched various ideas to Robert and we eventually settled on ‘Whatever You Say I Am, That’s What I’m Not’: Arthur Seaton and Nottingham’s Rebellious Individualists. It’s the first time I’ve written for proper radio and had to quickly familiarise myself with the grammar, such as repeating various facts as the listener can tune in at any point. Then there was the usual caution of the BBC, such as recording two versions of a Sillitoe quote (with and without ‘bastard’) as well as explaining who Brian Clough was, just in case someone living in Malaysia was unaware of the footballing genius.

Alan Sillitoe, author of Nottingham's defining book Saturday Night and Sunday Morning

Alan Sillitoe, author of Nottingham’s defining book Saturday Night and Sunday Morning. Photo Dom Henry.

It was challenging to write as I needed to talk about Nottingham in the context of the Midlands, due to this being the theme of the collection of essays, while also exploring specific literary history and rebellion in Nottingham. As we have this in abundance I was spoilt for choice, which is some ways made it even more difficult. In the end I took Arthur Seaton as the main narrative thread and interweaved relevant points around him.

The word count for a 15 minute essay is about 2,200 words. Any more and you can’t get in the natural pauses and emphasis. I recorded this in London and had Robert, a sound engineer and the controller for Radio 3 in my earphones offering advice. One piece that was really useful was smile when reading relevant passages as it helps to change the tempo and rhythm of your voice.

I hate my voice and laughed when the controller politely asked if I’d ‘ham up’ the Nottingham accent when doing quotes. Our dialect is notoriously difficult to capture, just look at Russell Crow as Hood and Albert Finney’s Manc Arthur Seaton accent. And did he mean north or south of the Trent? Also, how could I ham up an accent when I’ve lived in Leeds, Manchester, Cambridge and have weird inflections from each? But it was more enjoyable than I thought it would be thanks to some professional guidance. Hopefully I won’t sound too much of a numpty and Al Needham, the master of local vernacular, won’t give me a hard time. 

The essays come out around the 24 April. The four contributors are Geoff Dyer, Henry Hitchings, James Walker and Katherine JakewaysBBC Radio 3 The Essay website

Preview in the Guardian

Interview with producer Robert Shore

Born in ’84

There are three voices that I drop everything for when I hear them on the radio: Will Self, Brian Clough and Dennis Skinner. Will Self because he is eloquent and articulate and because he sounds like he’s swallowed a dictionary. The ever quotable Brian Clough because he’s arrogant and charismatic and a hack’s wet dream. And the beast of Bolsover because he’s so passionate. I had the pleasure of hearing the latter give a tub thumping speech at The Winding Wheel in Chesterfield on Saturday 8 March to celebrate the 30th anniversary of the Miners’ Strike.

Skinner got a standing ovation, although at one point I thought he was going to keel over as he breathed fire into the ears of the attendant miners. I don’t necessarily buy into all of his arguments but l respect him because he stands for something, a rarity in today’s focus-led politics. He talked about the devastating effects of pit closures on local communities and believes that this is the reason for many of our current ills. He rightly stated that pits were a source of employment for ordinary folk who didn’t want to go and study, and that there aren’t jobs for people like this to go into, now that the manufacturing base has been destroyed. He also linked the closure of pits with the spread of hard drugs across estates.

I was ten in 1984 and had a very different experience of the strikes growing up in a pit village south of Nottingham called Cotgrave. It was full of drunken, angry men and violence was rife, particularly among my age group. Teenagers would actually come and knock on your front door and offer you out (fight). The population was largely Geordie, many of whom had relocated here in the early 1970s on account of Nottinghamshire pits being the second highest payers in the country. So there was already factions and tribes before the coppers moved in and families became divided on account of whether they scabbed or not. Then there were the skinheads who took over the local community centre and overturned the car of a social worker employed to keep them entertained. This happened more or less around the time that a disabled pit worker had their car over turned when trying to get to work. But my enduring memory was visiting one friend’s house who had no carpets and an old pop crate for a seat. I remember asking if he’d just moved in and he went quiet. It’s only now, 30 years on, as I read about the strike and visit events like this that the reality of his situation hits home. He was from a family of strikers.

When the artist Jeremy Deller introduced his Battle of Orgreave film a miner behind me moaned ‘these artists making money out of miners. It’s disgusting’. It did make me smile. Deller then confessed he went to a public school and was, of course, from London. But they knew he wasn’t one of their own and appreciated his honesty.

I spoke to Deller afterwards and he seemed like a well-intentioned and decent guy. I told him about my experiences of pit life and that based on this I imagined the re-enactment would have been really cathartic for the people involved.  The last thing they needed was a documentary analysing the fight. This was a lived experience. For this reason it was good to see the inclusion of a copper’s perspective and how over time he had come to realise things weren’t quite so black and white.

All of which brings me on to a book. I’m currently reading Look Back in Anger by Harry Paterson which is published by Five Leaves Press and thanks to the acute editing of Ross Bradshaw it delivers fact after fact about the strike, avoiding a ‘Mills and Boon meets Trotsky’ over simplification. There is no need to over describe what the police did or the effects it had on communities or why Thatcher is the anti-Christ. The raw facts are enough on their own and bleed out over the page. I’m hoping to interview Harry Paterson for the June issues of LeftLion and have a great idea for a topical front cover but more of this closer to the time.

Jeremy Deller’s All That is Solid Melts into Air is at Nottingham Castle until 21 April2014

Harry Paterson Look Back in Anger: The Miners’ Strike in Nottinghamshire 30 Years On, Five Leaves, £9.99