Knut Hamsun’s Hunger and why Frank Miller is a twat

Knut Hamsun photo by Anders Beer Wilse. Eier: Nasjonalbiblioteket (bldsa_HA0341) Photo from wikipedia.

Hunger is one of my all time favourite books so I was delighted when Sarah chose it for book club. The recent edition comes with a fantastic forward by Paul Auster, which, as every reader knows, you read at the end so you can see gauge how clever you are. This edition also includes a breakdown of key differences between the three translations – a must for any word-obsessed bibliophile. I’ve not got to the stage yet where I need to read and compare all versions before learning Norwegian and reading it in its natural tongue, but it was very useful. A previous book club choice had been Hermann Hesse’s Siddhartha (1922) and a poor translation clearly affected enjoyment for some. Translations offer a different context to our book group because our members span the globe; Russia, Germany, America, Italy and of course England. Consequently, poor translations can arouse as much debate as the actual narrative.

I’d suggested that the group forgo food in the spirit of the novel but our book group is really a foil for a meal and beer out – so this was never likely to happen. When the discussion started, Sarah was a little worried about what we might think of her as she’d just discovered that Knut Hamsun was an ardent Nazi sympathizer who’d sent his Noble prize medal for literature to Joseph Goebbels. Ah, the scourge of Wikipedia. I felt that we should continue this debate after we’d discussed the actual content of the book but there seemed to be general agreement that you can’t separate the person from the novel.

I’m cautious of retrospective analysis for two reasons. Firstly, Hamsun was also staunchly against British Imperialism and our involvement in the Boar War, deeming it far less egalitarian than I remember being taught at school. History is written by the winners and therefore it is only a matter of time before our own truths become challenged as new evidence emerges. (Was it necessary to drop an atomic bomb on Japan when the war was all but done? Did Britain really have to flatten Dresden? Can we really trust a country that goes to war and awards itself all of the contracts for rebuilding that country when it’s all done?) Secondly, unless you actually lived in that particular moment, I don’t think it’s possible to pass complete judgement on others. Psychological research proves conclusively that there is a massive disparity between attitudes and behaviour. Having said that, there is no way on this earth you can ever justify the mass genocide of people. To even rationalise it proves the point that we are always detached from history when looking through the rear view mirror. In this case, if Hamsun had any awareness at all of the genocide and torture camps then it is impossible to separate the person from the work. When I think of the book in this light I feel ashamed for still liking it so much and for continuing to recommend it to others. It’s just a brilliant book.

Clearly I have a literature bias because I have no difficulty whatsoever in refusing to ever read or watch anything by Frank Miller again after his ridiculous comments about the Occupy protesters. He called them ‘filthy’ – a common term used to reduce someone as subhuman (as with the Jewish rats in Nazi propaganda) and even worse, claiming some were ‘rapists’. What a twat. He went on to say ‘Wake up, pond scum. America is at war against a ruthless enemy.’

 

 

 

 

 

Readers’ Day: ‘Why bother with the Booker?’

What better way to spend a Saturday than in a sea of grey hair at Readers’ Day. This was my second appearance at what is my favourite day in the literary calendar. This year it was held at County Hall, West Bridgeford, which although not as opulent as the Council House (where it was hosted last year) had an equal amount of male portraits mounted along the staircase. But they soon became the minority when the building flooded with females. Judging by this, men must be allergic to books.

My talk was ‘Why bother with the Booker?’ and was co-presented with Sheelagh Gallagher. We had initially planned to put forward arguments for and against but in the end decided to see how things turned out on the day. But I didn’t leave things purely to chance and came armed with numerous facts and quotes to test out the audience and interject where appropriate. Did they know the shortlisted books are specially bound to reflect the themes of the book? That sales of novels are up 127% year-on-year, that 13,000 copies were distributed to students beginning university this term, that Year 13 pupils were able to down their iPods and read the entire shortlist as part of an academic assignment? And talking of technology, you can now download a Booker App with a whole arsenal of bookish delights. Take that, ladies.

The talk couldn’t have come at a more appropriate time what with the various scandals surrounding this year’s prize. We have the conspiracists claiming the only reason a western and a thriller got in was to ensure Julian Barnes made it fourth time lucky with the ‘posh bingo.’ The purists have been so outraged at the ‘readability’ of the shortlist – which seems an oxymoron given that the basic test of any book is inspiring the reader to turn the next page – that they’re (headed by literary agent Andrew Kidd) setting up The Literature Prize to bring back ‘quality and ambition’. And all, I imagine, because Tom McCarthy didn’t take the honours last year with C and this year they dared to leave off Alan Hollinghurst. Barnes must be wondering what he’s done wrong. Perhaps Rupert Murdoch can recoup the losses from the NOTW scandal and buy the rights to film literature’s very own Champions League.

Then of course there is the Not the Booker, for the literary subcultures that think they know better. But even this has not passed without scandal. The Dead Beat by Cody James was withdrawn by her publisher because of clique attacks on the Guardian hosted forums. He said, ‘I misjudged the mood of these forums, their willingness to meet dialogue with dialogue, to accept differences, and most of all to talk about the book rather than sniping at the author or readers. As a result I have exposed her to comments that no author deserves to have levelled at them.’

This is why I love the Booker: The endless conversations it creates, the tantrums and offence. I can’t get enough, so this year – as far as dialogue is concerned – it’s been my favourite to date. It saw two debut novelists as well in Stephen Kelman and A D Miller. My top three books this year are The Silent Land (which is being made into a film and is just as beautiful a story of grief and reflection as A Sense of an Ending – but the wrong genre) Too Much Happiness (winner of the International Booker 2009) and The Tiger’s Wife (winner of the Orange Prize 2011) – so these prizes must be doing something right. But at the end of the day, the best books come from people you trust. This can be dangerous in that you can potentially limit your horizons by staying with the familiar, but it’s never failed me. So choose those friends wisely. I found a new friend that day in Carol Hodgkinson who recommended the following: The Book Club Bible: The Definitive Guide That Every Books Club Member Needs, 2007, Michael O’Mara Books Ltd.

Robin Lewis reviews Readers’ Day in LeftLion.