Doin’ our bit for lit: LeftLion Magazine #79

LL CoverI haven’t blogged about LeftLion for a while so this post is well overdue. The timing is important too as I’ve recently resigned as a director of Nottingham City of Literature. No mardies or drama. Just time to give up my seat so that someone else can sit down. The City of Lit team is comprised of representatives from 8 organisations and I was representing the Nottingham Writers’ Studio (I was Chair from 2012-15). But to be perfectly honest, I always thought of myself in terms of LeftLion and as an individual digital storyteller.

LeftLion played two crucial roles leading up to the bid. The first was through a series of magazine articles called the Nottingham Essay which focussed on key literary figures. These have since transformed into photoessays courtesy of some very talented NTU placement students for Dawn of the Unread. Secondly, we created a literature podcast so that all of our wordy propaganda could be felt in broadcasts as well as in print. This is produced by NG Digital and is broadcast once a month.

The June issue of LeftLion epitomises LeftLion’s commitment to literature. The sheer volume and variety of topics we’ve covered in one issue is staggering. The LeftLion editor Ali Emm should be given particular credit here for being so supportive and encouraging. There aren’t many editors who would let me get away with being such a potty mouth in the name of art, such as the ‘Is Lady C worth a wank?’ article. Ali also had the intelligence (and guts) not to delete ‘cunt’ from my article about D.H Lawrence and censorship. It would have made us look a right bunch of c***s given it was being used appropriately within the context of the article.

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Elsewhere in the mag I did an interview with the supremely talented Abigail Parry, the poet-in-residence at the National Video Game Arcade and our Poetry Editor Aly Stoneman interviewed Becky Cullen, the poet-in-residence at Newstead Abbey. Our Deputy Literature Editor Robin Lewis spoke to John Lucas, a poet, emeritus professor, publisher and jazz musician.

The Dilettante Society are an art collective “that’s about creativity and historical interest, a little bit of mischievous activity and writing” said founder Lady C. “Our aim is to encourage imagination and local interest, with a little bit of absurdity thrown in for good measure.” They produce lovely gazettes which can be found in various cafes across the city and we’ve since given them a regular slot to promote what they’re doing. Supporting grassroots culture was one of the key aims of the City of Literature bid and LeftLion have been doing this since we formed a long time ago in a galaxy far far away. This issue they look at one of Lord Byron’s lesser known relatives.

BYRON and deb

The Mouthy Poets were another central part of the UNESCO bid and founding member Debris Stevenson is featured discussing her innovative contribution to NEAT16 that will see an infusion of grime, rap and poetry. I remember interviewing Deborah five years ago when Mouthy Poets were still in their nappies. Now Mouthy are the highest funded poetry collective by the Arts Council, have a load of live shows under their belt, and are quite simply the most energetic and aspirational group of poets on the block.

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NEAT16 was one of the events the City of Literature team promised to deliver in their application so we’ve giving this as much coverage in the magazine as possible. My Lady C article relates to the Novel Trial performance at the Galleries of Justice on 2 June, Debris Stevenson’s Poet in Da Corner is on 11 June, and there was also room to have a natter with Midlands Theatre Company LaPelle’s Factory whose Cloudcukoolanders  celebrates all things dysfunctional on 5 June. Neatly rounding up theatre related articles was an interview with Rachel Young. I, Myself and Me is the result of a BBC Performing Arts Fellowship that’s been touring the country and stops back off home on 9 June.

neat and rachel

LeftLion also creates space for writers to promote their books or plans for books. Wayne Burrows’ Advertising Sectioned was originally conceived as a means of giving him the opportunity to sift through various cuttings and put together a themed collection exploring local advertising which he can then pitch to a publisher when complete. Likewise, Street Tales draws attention to Joe Earp and the Nottingham Hidden History Team. I met Joe a few years ago and was delighted when he agreed to do the column. Now he’s got a couple of books out, hopefully his presence in our monthly rag will help him shift a few copies.

street tales and zombies

And last but not least is our ‘choose your own ending’ zombie serial (#ZombiesinNotts) which has been determined by our readers and written anonymously by some of our fulltime in-house writers. This feature is a nod to the Choose Your Own Adventure serials started in 1976 by Edward Packard and is just meant to be a bit of daftness.

I have been writing for LeftLion now for around 13 years. No magazine offers such complete freedom of expression when it comes to style of writing or topic of writing. Our June issue is an absolute kick in the bollocks for anyone who thinks reading is dead. Having said that, our editor in chief, Jared Wilson, is on the lookout for Vloggers and LeftLion is slowly edging towards becoming a multimedia channel. This will inevitably mean more videos and less words which will mean readers will become viewers. Let’s not get too smug. Let’s just enjoy the moment. For now, words rule. IDT. INDST.

Nottingham City of Literature: Talk to National Union of Teachers

City of Lit banner

Photo by City of Literature.

Since Nottingham’s accreditation as a UNESCO City of Literature, we’ve had a silly amount of emails. Quite a few of these are from local organisations asking for a representative to come and give a talk about what the fancy title means and how they can get involved.

On 25 Feb I addressed the National Union of Teachers (NUT) for their Nottinghamshire and South Yorkshire branch. I snapped up the chance because the event was hosted at Mogal e Azam, an Indian restaurant opposite the Theatre Royal. I was lured by the offer of a free curry, which is the first form of ‘payment’ I’ve had since becoming a director of Nottingham City of Literature. But before you get all excited at my luxurious lifestyle, I had to pay for my own drinks.

The gathering was pretty much what you’d expect from a Union meeting; the highlight of which was hearing a request for an amendment to be made to an amendment. But on a serious note, there’s some pretty tough issues that teachers need to address. The most recent being the government’s plans to convert all schools into Academies. Needless to say the meeting over ran by an hour or two. When it was my turn to address the 20 or so teachers I managed about four words before being halted by the clatter of plates as the waiters – who, despite their job title, do not like waiting for people to finish what they’re saying – had begun serving up the mains. The food smelled lovely so there was no point having a hissy fit. We would continue after the mains.

When everyone was suitably bloated and tired, I took the stage. The audience has shrunk down to about eight people, with many having to shoot off due to childcare duties. This also included the host who had invited me over to give the talk. It was a humbling experience that I won’t forget in a hurry. Every time I look at the curry stain on my shirt that won’t come out, I’ll think: NUTs.

Joking aside, I was really eager to talk to the teachers because improving literacy is one of the City of Literature’s core goals. According to the most recent report from the OECD, Britain is now officially the most illiterate country in the developed world. This is why I positioned illiteracy as a form of child poverty in my Dawn of the Unread manifesto in 2014. Literacy levels are a particular concern in Nottingham as we are below the national levels. Therefore listening to teachers and offering them support is absolutely vital if we are to achieve our ambitious aims.

Certain areas of Nottingham need real support at the moment as they include high levels of deprivation and intergenerational worklessness and are really feeling the brunt of welfare reform. In the face of these challenges we’re committed to doing everything we can to help our children and young people achieve their full potential and learn the necessary skills to progress and become valued members of their community. We passionately believe that participation in creative learning activities, speaking and listening work, reading for pleasure, storytelling and storymaking and engagement with writers from all disciplines, is key to developing literacy as a core skill for all our young people. And that participation in shared literature-based activities is at the core of developing strong resilient communities.

Numerous research, in particular that produced by the National Literacy Trust, has shown the correlation between literacy levels and social outcomes. People with low literacy levels are less likely to vote, less likely to get married or be homeowners, and most worrying of all, have the least ‘trust’ in society. I could go on…

Teachers are under enormous pressure at the moment too. Putting aside the endless marking, long hours, and Ofsted inspections, they are also expected to teach to classrooms of increasingly diverse pupils. I witnessed this first hand last year when I took Dawn of the Unread to Djanogly Academy. I was informed by one member of staff that the school was 60-65% non English speaking as a first language. Therefore teachers are faced with the impossible task of teaching pupils from a broad range of countries who don’t even have language in common. Remembering that those non English speakers are from a wide variety of countries and so there isn’t even a second language in common. The result is boredom and apathy in the classroom as there simply aren’t the resources to give each pupil the individualised teaching they require. But I digress.

Low literacy levels, then, are not just about the diminishing attention spans of mobile-phone-obsessed youth. Not just about digital versus print media. But about language, aspirations, poverty, overcrowding, resources, pressure, support networks and multiculturalism.

The City of Literature team has now created a sub group headed up by Sue Dymoke which focusses on all issues relating to literacy. It’s a working group of around 30 people who work in various capacities within education and relevant sectors and was formed out of an open callout. Their findings will determine how we as a board go about achieving our literacy goals and implementing a strategy to support teachers, parents and children.

Complimenting this is the recently formed Cultural Education Partnership (CUP), a network of education, cultural, heritage and arts organisatons working together to address the inequalities in access to culture among young ‘uns in Nottingham. I attended their first meeting on Thursday 24 March and the most important issue raised was demand is more important than supply. In this sense, raising literacy levels isn’t just about flooding schools with writers but creating the desire for reading and writing from the pupils. For this to happen we need to listen to what children have to say.

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