{"id":789,"date":"2012-04-10T21:53:20","date_gmt":"2012-04-10T20:53:20","guid":{"rendered":"http:\/\/jameskwalker.co.uk\/blog\/?page_id=789"},"modified":"2024-06-23T17:17:02","modified_gmt":"2024-06-23T16:17:02","slug":"academic-articles-and-research","status":"publish","type":"page","link":"https:\/\/jameskwalker.co.uk\/blog\/academic-articles-and-research\/","title":{"rendered":"Academia"},"content":{"rendered":"\n<p>I am a practice-based academic, meaning that I co-collaborate with students on my digital projects so that they gain industry experience. But now and then I write an article about what I&#8217;m doing.   <\/p>\n\n\n\n<p>\u2018The Importance of Delayed Gratification: D.H. Lawrence and the Visual Essay\u2019 in\u00a0<a href=\"https:\/\/learningonscreen.ac.uk\/viewfinder\/articles\/the-importance-of-delayed-gratification-d-h-lawrence-and-the-visual-essay\/\"><em>Viewfinder <\/em>122<\/a>: May 2023<\/p>\n\n\n\n<p>&#8216;Rethinking Literary Heritage and the Traditional Dissertation&#8217; in\u00a0<a href=\"https:\/\/makingsjournal.com\/the-d-h-lawrence-memory-theatre\/\"><em>Makings Journal<\/em><\/a>\u00a0(Studio), May 2022.<\/p>\n\n\n\n<p>&#8216;How Best to Celebrate Literary Heritage?&#8217;\u00a0in\u00a0<a href=\"https:\/\/journalofdhlawrencestudies.com\/archive-the-journal-of-d-h-studies\/\">J<em>ournal of D.H. Lawrence Studies<\/em>\u00a0(JDHLS)<\/a>\u00a0Vol 6 (1) 2021.<\/p>\n\n\n\n<p>&#8216;The People Formerly Known as Tutors: A Case Study of Instagram&#8217; in\u00a0<i><a title=\"https:\/\/www.digitalcultureandeducation.com\/reflections-on-covid19\/the-people-formerly-known-as-tutors\" href=\"https:\/\/www.digitalcultureandeducation.com\/reflections-on-covid19\/the-people-formerly-known-as-tutors\">Digital Culture and Education<\/a>, <\/i>2020.<\/p>\n\n\n\n<p>&#8216;Time to Ditch the Traditional Essay!&#8217; in\u00a0<em><a href=\"http:\/\/www.ingentaconnect.com\/content\/intellect\/jwcp;jsessionid=35qrejr5saa69.x-ic-live-01\" rel=\"external\">Journal of Writing in Creative Practice<\/a><\/em>, Volume 11, Number 2, (1) 2018, pp. 267-273(7).<\/p>\n\n\n\n<p><a href=\"https:\/\/theaxiologicalperspective.wordpress.com\/tag\/value-creation\/\">The Role of Community in the Creation of Value<\/a> in <em>The Axiological Perspective<\/em>, 2016.<\/p>\n\n\n\n<p>&#8216;Dawn of the Unread: A Manifesto,&#8217; Durham University\u00a0<em>Beyond Crisis: Visions for the New Humanities<\/em>, 8-9 July 2014<\/p>\n\n\n\n<p>&#8216;<strong><a href=\"http:\/\/thepublicsphere.com\/parkour-body-politics\/\">Le Parkour: The Body as Politics<\/a><\/strong>&#8216; in The Public Sphere, December 2009.<\/p>\n\n\n\n<p>&#8216;The Hummer: The Return of the Hard Body&#8217; in Cardenas, E., &amp; Gorman, E., (ed.) <em>&#8216;The Hummer: Myths and Consumer Culture&#8217;<\/em>, Lexington Books, 2007.<\/p>\n\n\n\n<p><strong><a href=\"http:\/\/issuu.com\/stimulusrespond\/docs\/stimulus14\/75\" target=\"_blank\" rel=\"noopener noreferrer\">&#8216;Le Parkour: Free as a Bird&#8217;<\/a> <\/strong>in <a href=\"http:\/\/issuu.com\/stimulusrespond\/docs\/stimulus14\" target=\"_blank\" rel=\"noopener noreferrer\">Stimulus Respond (14)<\/a>, 2006. <\/p>\n\n\n\n<p>&#8216;Colostomy bags, Masturbation and Naked Chicken Dancing&#8217;\u00a0(2005) in <a href=\"http:\/\/flowtv.org\/2005\/07\/bo-selecta\/\">Flow<\/a>.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.jameskwalker.co.uk\/pdf\/words_of_mass_destruction.pdf\">&#8216;Words of Mass Destruction&#8217;<\/a><\/strong> In <em>Zing Review<\/em>, Spring 2004.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>&#8211;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I am a practice-based academic, meaning that I co-collaborate with students on my digital projects so that they gain industry experience. But now and then I write an article about what I&#8217;m doing. \u2018The Importance of Delayed Gratification: D.H. Lawrence &hellip; <a href=\"https:\/\/jameskwalker.co.uk\/blog\/academic-articles-and-research\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-789","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/pages\/789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=789"}],"version-history":[{"count":26,"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/pages\/789\/revisions"}],"predecessor-version":[{"id":3193,"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/pages\/789\/revisions\/3193"}],"wp:attachment":[{"href":"https:\/\/jameskwalker.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}