AI Up Mi Duck – interactive fiction game exploring transhumanism

An interactive fiction game exploring transhumanism, poverty, and whether the Broadmarsh Centre will ever get finished.

It’s 2123 and life has got a bit rubbish. Humans are unemployed because AI does everything for them. This means there isn’t much to do other than sit inside and watch telly; Fortunately, there’s l-o-a-d-s of channels.  Lee Vitaht is a youth from Tip Valley, Nottingham, a slum area where the unemployed are forced to live until society can find a use for them. One day he enters a competition to appear on the Reality TV programme Live Island with the chance to win immortality. Lee Vitaht would love to live forever so he can finally witness Forest win the Prem and possibly see the Broadmarsh Centre flattened. But as Reality TV host Android Marr explains, ‘we work in immortality, not miracles.’

AI Up Mi Duck is an interactive fiction game that can be downloaded from itch.io. It explores the impact of technology on our lives and issues of transhumanism – the idea that we can somehow become untethered from our flesh and live forever. Nobody is quite sure exactly what transhumanism means or how it will work, but it’s got a lot of people interested and generated a load of cults, with Ray Kurzweil, author of The Age of Spiritual Machines (2000), the alpha prophet.

The hope is that emerging technologies such as genetic engineering, AI, cryonics, and nanotechnology can somehow help humans stop ageing and relegate death as a 20th century inconvenience. One of the most extreme versions of this ideal is that our consciousness can be downloaded and rebooted into some kind of external mainframe computer. Let’s just hope the broadband connection is stronger than my Giff Gaff connection. But consciousness is not a tangible thing like a foot or finger and so whether you can download something that is difficult to define or locate is a bit of a challenge.

To help me research the game, I read Matt O’Connell’s To be a Machine (2017), and discovered that the idea of connecting ourselves to a wider network may not be that farfetched. The body, after all, is a series of electrical circuits. If this could be emulated somehow, it would completely redefine what it means to be human. For those who can’t wait for such innovations, fear not. You can get your frozen corpse stored in a massive cryogenic warehouse in the hope that one day medicine and technology will be able to reanimate the brain, thereby providing a second chance at life. Then there’s the hubris of the ‘life hack’ brigade who think that a strict diet and exercise will help prolong life. If getting up at 4a.m every day to do 1,000 press-ups while binging on raw food is the key to eternal life, it’s a no from me. It’s the quality rather than the quantity of life that matters.

In writing this game with animation students from Confetti, one thing became abundantly clear: I don’t want to live forever. It would be tedious. There’s only so many times you can get Homer Simpson socks for Christmas or watch fireworks over Trent Bridge before the novelty wears off. There’s something humbling about coming to terms with your mortality that helps you appreciate your allotted three score years and ten.

We live in precarious times and doom and gloom is everywhere. But nothing depresses me more than a social media post warning ‘watch till the end’. This is the end of civilisation, at least as I know it. The immediate gratification of digital has eroded our attention spans so much that even a fifteen second Tik Tok is too long. If you’re still reading this article, btw, well done. Your head must be absolutely throbbing.

The reason I find this future so alarming is because I have become an alien in my own life – a fate that awaits us all. I’m an analogue kid who grew up in a world of three TV channels, where people talked to each other rather than ‘liked’ each other, and the closest thing to the internet was teletext. The world – as wonderful as it may be – is completely unrecognisable. Imagine that feeling for eternity.

In some respects, we’ve entered a kind of Digital Dark Ages. We no longer know what ‘truth’ is, who is observing us, or what sophisticated algorithms are doing with our data. We now have two lives – a ‘real’ physical life and an online life. Is it any wonder so many people are anxious or suffering from mental health issues when our very being is split in two?

We’re digital pioneers in a Brave New World where AI will radically transform every aspect of life as we know it. This change will be as profound as the invention of fire, the wheel, and the industrial revolution. But future generations will look back on us as digital illiterates, who *scoff* communicated via a phone. Lol.

I may not want to live forever, but I do admire people who will do whatever they can to squeeze out a bit more juice. In this, the transhumanism movement is a symbol of optimism (or delusion) and may very well represent the next stage of evolution. Good luck to them.

Ai Up Mi Duck is free to download but a donation would be nice – just so I can eat. https://thartamardarse.itch.io/ai-up-mi-duck

 

Ai and the importance of delayed gratification to creativity

Ai has appeared out of nowhere and promises to solve every ‘problem’ for the creative industries from writing fiction to creating award-winning photos to producing videos. The narrative underpinning the solutions is one of ease and convenience, but it also removes process, context and knowledge. Although there are many benefits to Ai I fundamentally disagree that progress should be defined by speed and have outlined the arguments for why delayed gratification is important to creativity in the latest issue of Viewfinder 122 – a publication that focuses on the moving image and sound in education.

Firstly, we learn through practice. It is in doing things that we acquire knowledge. In education this is referred to as active learning. To strip away this experience and get Ai to do all of the work for you is to make your brain redundant. There’s a lot of bullshit doing the rounds about how the skill is in the instructing of the Ai but let’s not confuse this with autonomy or creativity. It’s like saying you do all of the washing because you’ve poured conditioner into the Hotpoint and pressed 40 degree spin cycle.

Secondly, we develop skills through practice, and this encourages finesse. For example, when I made my first Locating Lawrence video on YouTube I recorded my audio and added images. Then I began to add sound effects for emphasis. Now I do all of these things and select a relevant fade out track. The June 1923 video ends with D.H. Lawrence declaring ‘we have to be a few men with honour and fearlessness, and make a life together,’ so I added the opening chords of ‘Eye of the Tiger,’ the theme tune to Rocky. People of a certain age will get this, and it adds another layer of meaning to the video. Others won’t get the reference but can enjoy the video for its content. The point is that producing work each month creates the desire for improvement and experimentation. With Ai you just press enter.

Lastly, it is in searching for relevant images to accompany the audio that knowledge is acquired. This month I discovered that Lawrence was reading Soeur Philomene (1890) by the Goncourt brothers. I did some further research and found that Edmund and Jules Goncourt were unique siblings in terms of literary history in that they wrote all their books together and did not spend more than a day apart in their adult lives, until they were finally parted by Jules’s death in 1870. I would not have discovered this if I had let Ai to do the work for me. Research creates intrigue. Intrigue creates knowledge. Knowledge creates wisdom.

My career as a digital storyteller involves finding innovative ways to explore literary history and tell stories. As an academic, I have introduced new assignments to modules, such as visual essays (see above), so that students can embrace serendipity and discover new and interesting facts through their research. I want them to struggle and get frustrated so that they can feel the elation that comes with the finished output. Ai removes these fundamentals of what it is to be human; we should be concerned. But, as is always the case, this is down to the individual. If you want the immediate gratification and glory of something else creating something for you, go ahead. But if you want to push yourself to the limits, embrace the process and marvel at your creativity – while you still have it.

 

Related reading

‘The Importance of Delayed Gratification: D.H. Lawrence and the Visual Essay’ in Viewfinder 122: May, 2023

‘Rethinking Literary Heritage and the Traditional Dissertation’ in Makings Journal (Studio), May 2022

‘How Best to Celebrate Literary Heritage?’ in Journal of D.H. Lawrence Studies (JDHLS) Vol 6 (1) 2021

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