About James

James specialises in digital literary heritage projects. He spends most of his time in front of a computer screen writing about life instead of living it. Therefore, do not trust a word he says.

Flashmob: A reading celebration. 12 July – Old Market Square

flash-crop1I hate Nottingham because there’s always so much going on it makes it impossible for me to leave and get that dream house overlooking the Yorkshire Dales that my heart claims I desire. This Saturday sees the Waterfront Festival bring a host of musicians to bars down by the canal as well as the beginning of the Sneinton Festival. There’s also a massive sandpit being erected in Market Square so that Dad’s can get pissed and pretend they’re in Skeggy while teenagers make phallic shaped sand sculptures in the rain.

At 12 noon I’ll be offering my contribution towards distractions from shopping in the form of a mass flashmob to celebrate reading. This is partly to promote Dawn of the Unread, an interactive graphic novel that brings back to life 12 writers from Nottingham’s past, and partly to show a bit of appreciation to the many authors, bookshops, libraries and publishers who have brought us joy over the years through the written word.

Reading is often a solitary process and usually takes place alone on a bus, in a bath, behind a desk at work when the boss is out the office having an important meeting. But for five minutes I want people to be alone together, reading in one designated place: Old Market Square.

Inspiration for this can probably go to Martina Conti’s choreography A Reading Sculpture, which celebrated the interaction between the human body and the book. She created this as part of WEYA in 2012 and is still the best artistic performance I’ve ever seen. A group of readers simply got out their books and then moved around a given space, reading in various positions. A Kama Sutra for book lovers if you like.

The flashmob is a joint collaboration between Dawn of the Unread, John Mateur and Robert Squirrell. Just turn up with a book, sit down on the first strike of 12 and then start reading. We’ve contacted all demographics from Mumsnet to asylum seekers to students and asked them to bring along a favourite or current book. My hope is to turn reading into a visual act, a kind of physical sculpture which hopefully will remind those who need to be reminded of the importance of stories in our lives.

Booked

Artwork: Dawn of the Unread.

We will also be yarnbombing the Cloughie statue to celebrate the launch of ‘Booked’ the fifth comic in the Dawn of the Unread series. This is written by poet Andy Croft and illustrated by artist Kate Ashwin and tells the tale of a monstrous but charmismatic hybrid called Byron Clough,

Please join us. Bring your Beano, Fifty Shades, or dirty Italian phrases handbook for that imminent summer holiday. We don’t care what it is as long as you’re reading.

And if you miss the event you can catch me on NottsTV on Monday, around 6.30ish, waffling on about the beauty of books.

 

dawnoftheunread website

LeftLion 59: Scab City

cover59Nottingham’s had a fair few labels over the years and where possible we’ve tried to confront these head on. When we were described as ‘Shottingham’ we went with a cover in Issue 23 that read ‘another shooting in Nottingham’, referring to our thriving film culture and the emergence of the likes of Shane Meadows et al. Our current issue addresses a label we’ve been given at more than one point in history: Scab City.
Within seconds of the mag going out the mithering started on Facebook with some ‘readers’ refusing to even pick it up. I can only presume this is because it is a weighty issue in more ways than one – it’s a 64 pager, our largest ever. We went for 64 pages because we got 23 adverts in (we usually aim for 20) and so the extra content was needed to stop it turning into an advert wank mag.

You cannot ignore nor rewrite your history and Scab City is part of our heritage whether we like it or not. If you want a glossy reality full of pretty pictures pick up a copy of City Life. If you want a bloodied nose and a toothless grin, pick up LeftLion.

198459The Miners’ Strike was a complex mess that divided communities as well as the nation. That’s why I commissioned Harry Patterson, author of Look Back in Anger: The Miners’ Strike in Nottinghamshire 30 Years on to write a 2,000 word feature addressing these issues. He’s an incredible writer and the reason I didn’t bother with the usual Q&A as every word was gold. I think it’s one of the best articles we’ve ever ran.

The cover is a mock-up of Sin City and something I’ve wanted to do for ages so I was delighted with Video Matt’s artwork. The only editorial quibble I had was with the strapline ‘Why we crossed the line’. Although this is relevant to the strike I wanted ‘Ger over yersens’, because I was anticipating the mithering.

An incredible turnout for Chris Richardson's Chartist walk in Nottingham on 1 June.

An incredible turnout for Chris Richardson’s Chartist walk in Nottingham on 1 June. Photo James Walker.

This issue was a real historical beast, offering an alternative to jingoistic WWI celebrations through our interview with Brick and his WWI anthology To End All Wars and an interview with Chris Richardson, author of City of Light, who has researched Chartist movements in Nottingham from the 1830s as well as the development of Operative Libraries. Nottingham had 13 Operative Libraries at one point which I think may have been the largest amount in the country. These were open on the Sabbath in pubs, enabling working class people to read supposedly salacious literature and determine culture on their own terms.

On WriteLion we ran reviews of the seven nominees for the East Midlands Book Award which was won by Alison McQueen. We’ll be following this up with interviews over the next few weeks. Katie Half-Price has had a slight make-over, though she’s still Nottingham’s orangest reviewer. She now has ‘Katie’s Tales of the Ales’ which explores literary history of Nottingham’s boozers. Although I love writing book reviews from her unique perspective I haven’t had time recently due to the volume of reading for Dawn of the Unread. Elsewhere, Readers Wives got a new illustrator, and if the first offering is anything to go by, I’m a very happy bunny.

Finally, you may have noticed that the magazine now has more full length features instead of Q&As. This is based on a reader survey where we found a large majority of readers take the magazine home to read. We had previously presumed it was just read in pubs and so had to keep it simple. Now we can really get our teeth into issues. The addition of Mark Patterson to the editorial team, a great writer I previously commissioned for the Sillitoe Trail, means we have the staff to do this.

Ali Emm and me

Ali Emm and me. Photo Aly Stoneman.

And well done to our new editor Ali Emm who has started to stamp her identity on the magazine. The future is bright. The future is orange…