Creating partnerships when you’re skint.

Photo by Savvas Stavrinos at Pexels

To survive the recession you need to live by your wits, particularly if you’re working in the arts. This means wheeler dealing at every opportunity, which, for those who don’t work in the arts, means ‘sourcing stuff for free’. Of course you can only get things for free if you know what’s going on in your community and you will only find out what’s going on in your community if you’ve subscribed to every newsletter going or have made the effort to get out and talk to people. One or the other is not sufficient. Do both.

I left the garret recently and went to see Richard Johnson at New College Nottingham who runs a foundation course in art and design. He’s always looking for exciting ways in which to engage the students while giving them practical experience of working with industry professionals. A couple of years ago he ran a project called Candlesticks and Comics whereby he had students illustrate the poetry of Yeats in collaboration with Candlestick Press Publisher Jenny Swann and the Nottingham Writers’ Studio. I’ve never forgotten that event and I knew one day it would come in handy.

I’ve just put a bid in with the Arts Council/BBC for a project called the Space in which I’m hoping to create a multimedia literary trail of Sillitoe’s Nottingham. Part of the project involves creating a Mobile Phone App detailing key locations from the book. Each location comes with a quote from Saturday Night and Sunday Morning as well as a particular theme raised by the quote/location. Getting hold of the stills from the film is potentially very expensive as is film clips (MGM charge by the second although there is the possibility of getting some content through ‘fair use’) so one way around this was getting the students to illustrate the App.

This is mutually beneficial for all involved. If the bid is accepted (I find out on the 21 Feb) the students work gets global coverage which could help forge professional contacts that you just wouldn’t get out of standard coursework. If the bid is unsuccessful then they still get to work with a professional organisation with a clear brief and deadlines. All I’ve had to do is give an hour’s talk to students – which I did last Friday, help write up a project brief, and be on hand for any questions/guidance as and when needed.

The project could form part of NCN’s regular coursework, enabling future students similar exposure while providing fresh content on a regular basis for the App. This means that literature continues to reach a younger audience as well as offering up endless interpretations of Sillitoe’s work. We could even launch an exhibition of all of the drawings a few years down the line which would help draw attention to the campaign. The possibilities are endless. Now, how to get hold of a free media lawyer…

Forthcoming events in the Sillitoe Season

LeftLion 45

Another year, another issue of LeftLion with an illustration of the Council House on the front cover. It’s a gorgeous drawing of Nottingham spilling out of Ronika’s brain, but I’m sick of seeing the Council House. My fear is that it reinforces the idea that there aren’t any other iconic buildings in Notts or that we, and by implication our readers, have a serious lack of imagination. I particularly resent the Council House appearing on the cover as the Council Tax is going up this year. Nottingham being the only city in Britain to do so, despite the government stating it would cover extra costs to ensure the price remained frozen nationally. The sneaky gets aren’t raising it above 3% though as then we would be entitled to a referendum.

My favourite two LeftLion covers to date are the ‘Byron Clough’ because it brought together two powerful personalities and ‘Another shooting in Nottingham’ because it had bollocks the size of Zeppelin balloons. (It had a pop at media exaggerations of Shottingham but was in fact about a new film). I’d like to see more issues-based covers, like the Occupy Movement but with them occupying the Fish Man’s Basket or something along those lines. Anything but that bureaucratic temple that bans the public from sitting on its steps.

I’ve been really busy recently putting together a second proposal for The Space/BBC project after being shortlisted through the Alan Sillitoe Committee, therefore LeftLion has taken second place. Consequently, I had to turn down a once in a lifetime opportunity of attending a staff meal with the Thompson Brothers. Literature wise I was keen to celebrate and support the inaugural National Libraries Day on 4 February and contacted various librarians, authors, publishers and trade union reps to build up a balanced perspective for a feature. Unfortunately nobody got back to me apart from Ross Bradshaw, who, as always, was incredibly insightful. I can’t stress enough how helpful it is to have someone like him at hand for advice. It’s difficult to get angry at the local librarians for their apathy when their opening hours are being slashed from 601 to 311 and they’re expected to do the same job but with fewer hands and in half the time. I’ve worked in the public sector and it’s utterly demoralising and thankless.

Artwork from LeftLion.

In the end I interviewed Alan Gibbons (thanks Ross) who is responsible for the celebrations and gave a really passionate and informative picture of how the cuts will affect the wider community. Knowing libraries would be covered in some shape or form meant we had time to commission a fantastic illustration by Si Mitchell. The illustration brief was based on the feature I was hoping to write but Cameron ripping open the Central library is still as fitting. The question is why wasn’t Central Library on the front cover instead of the Council House?

Book wise we managed to get in nine reviews of which three were self-published. I had the pleasure of reviewing Jon McGregor’s new short story collection but only had a couple of days to read it as he leant me his only copy. Rushing through such a beautiful book with such a tight turnaround was a bit like ordering a three course meal from Harts, whacking it in a blender, and then downing it like a pint. But it was worth it to get a review in the magazine a week before the publication date. Makes us seem professional. Katie Half-Price was as fun as usual and it was particularly good to have a pop at The Fat Years, which despite being championed in the press is a great concept but an awful read. Now it’s time to get back to that Space bid…

Interview with Helen Pollard who has worked for 46 years as a librarian.

Issue 45