Michael Eaton: Streets of Stories

Mick E under Council House IMG_0151

If you’re thinking of embarking on a journalism career to make money, forget it. If you like meeting interesting people, then this is the profession for you. Example. As part of the Festival of Words I did a literary walk around Nottingham with Michael Eaton. We agreed to make it a donation event so that anybody could join in. Our motivation was to share our love of the local literature scene in the hope that people would feel better about their city now that they could point out where Graham Greene once worked as a sub editor. We collected £30 in donations at the end of the two hour trot which went towards a round that came to £27.50. I was amazed that I had £2.50 left over which we could split. Then the Irish coffee turned up for one of our guests and I’d forgot to tell the barman she was allergic to milk. Another was ordered costing £3.75, meaning I was £1.25 down. I didn’t ask Michael for his 62p. As far as literature events go this was a more than reasonable loss. 

 

Photo: Graham Lester George

What I got out of the walk was the opportunity to spend two hours with Michael Eaton. Michael has a remarkable memory, having researched much of the city and its characters for his plays. An anthropologist at heart he’s fascinated by people. His motivation for writing about Harold Shipman was that they shared similar backgrounds yet had chosen such differing paths. He loves his documents as well, bringing an immaculate copy of William Booth’s In Darkest England along for the journey which he proudly informs was passed down from his grandfather.

Photo: Graham Lester George

Michael is a Dickensian character, large of frame and eccentric in character. He informs that Philip James Bailey’s Festus is the longest poem ever published with more words in it than the Old Testament. He throws his head back for dramatic effect, nearly nutting the person behind him. When this fails to receive a gasp he lowers his head forwards as if the knowledge is weighing him down. Then he bursts into life again, contorting his neck sideways, catching the eye of the woman to his left who he stares at intently until he gets the reaction he believes such facts deserve. Before you can roll a tab he’s singing Billy Merson songs and insisting you join in, jumping around with an ease that is unbefitting of a man his size. And then he’ll turn to the nearest person and take their hand, holding it softly as he imparts more information. You feel slightly embarrassed to be stood in public holding an older man’s hand. And then calm. Like you’ve just been whisked back to childhood and are waiting with a parent for the bus.

Photo: Graham Lester George

Our second festival walk on Wednesday saw 35 people turn up in the freezing cold. I couldn’t believe it. It was a magical walk with punters sharing their own interpretations of folklore as we went along, filling the streets with more stories. I wasn’t surprised at how many were oblivious to the plaques scattered around the city and our rich literary heritage. Nottingham has never been very good at standing up for itself, preferring to concentrate energies on taking others to task. That’s why we decided to do the walk. So that Nottingham could see something else lurking between Primark and the latest Tesco Express.

Byron expert Christy Fearn joined us on the walk. Photo: Graham Lester George

As promised, here’s a suggested reading list for some of the walk.

Langtry’s Emrys Bryson (1982) Portrait of Nottingham

Theatre Royal Billy Merson (1949) The Spaniard that blighted my life

Express Offices Norman Sherry (1989) The Life of Graham Greene Vol 1. 1904 – 1939

Cloughie statue David Peace (2007) The Damned United

Market Square James Walker (2012) Sillitoe Trail and Ann Featherstone (2007) The Journals of Sydney Race, 1892-1900.

Exchange Building Henry Kirke White (1803) Clifton Grove, a Sketch in Verse, with other Poems

Pelham Street J M Barrie (1911) Peter and Wendy (later changed to Peter Pan)

Pelham Street/Carlton Street Lord Byron (1812) Childe Harold’s Pilgrimage

George Street Claire Tomalin (2012) Charles Dickens: A life

Broadway Cinema Nicola Monaghan (2007) The Killing Jar and William Booth (1890) In Darkest England and the Way Out

Stoney Street Jon McGregor (2003) If nobody speaks of remarkable things

St. Mary’s Church (1450) Robin Hood and the Monk

Weekday Cross Mary Howitt (1829) The Spider and the Fly

Middle Pavement Philip James Bailey (1839) Festus

Walkie Talkie

Byron plaqueRobin Hood must have heard that the council are rebranding Nottingham as the Rebel City because he’s come out of retirement to do three walks and even lost the dodgy American accent. The Cave Tours (Tue 19 Feb and Sat 23 Feb, 2.30pm) start off at Nottingham Castle and goes deep down into the bowels of the city. Robin Hood and Maid Marian (Tue 19 Feb, 12 1pm) starts at the Castle Bastion where our hooded hero will spill the goz on why his men were so merry. Robin Hood and Dragon (Sat 23 Feb, 12 -1pm) also starts at the Castle Bastion and will see our hooded crusader brag about the various scrapes he got into to impress the ladies. All of these will cost you a fiver and can be booked at the Castle or on 0115 915 3700. Once Upon a Storywalk (Sat 16 Feb at 11am, 12.15pm and 1.30pm) is suitable for families with children 410 years and will include riddles, songs, rhymes, and a little detective work to discover the secrets hidden in Old Nottingham. Tickets (£6, £4 children) can be purchased at the Festival Box Office in Newton Building which is the start and finish point for the tour. Storywalks from the City of Lace (Sat 16 Feb, 6pm, 7.15pm) is a darker affair aimed at adults, where, for £6, legends and myths will come alive under the moonlight and offer more stories of betrayal and deception than an hour’s worth of Jeremy Kyle. Streets of Stories (Sun 17 Feb, 3pm & Wed 20 Feb, 6pm) kicks off at Langtry’s and explores Nottingham’s rich literary history in its broadest sense. Discover how we inspired J. M. Barrie’s Peter Pan, converted Graham Greene to Catholicism as well as readings from more obscure works such as the verses sold at the foot of the gallows. Led by myself and Michael Eaton, it’ll be a walk of ale, merriment and words for a small donation.

All walks are part of the Festival of Words