Ta-ra, Festival of Words

Photograph: Nottingham Post

About three years ago at an AGM at the Nottingham Writers’ Studio we asked members what things they would like to see happen at the studio and within the wider community. Quite a few members, such as John Lucas and Michael Eaton, mentioned their desire to see a city-wide literature festival. To our astonishment, we realised there hadn’t been one for over thirty years.

Plans were quickly drawn up and in 2013 we put on the inaugural Festival of Words in collaboration with Nottingham City Council and Writing East Midlands and the two universities. The festival had many flaws in that we had over programmed, events competed with each other, and we were simply a little too ambitious. But this was hardly surprising given how long we had had all waited. There was no funding, either, which meant we ran completely on goodwill and the incredible effort of many volunteers.

2014 was a completely different beast. We went for a more devolved approach whereby both universities planned and coordinated specific events that saw the likes of Ali Smith and Will Self on the streets of Nottingham. We received a grant from Arts Council England (up to 15k) and at the very last minute additional funding came through to put on an international series of talks from writers from afar afield as Hungary, China, and Afghanistan.

It was an incredible week (with additional fringe events that are still going on, such as Judith Allnatt talking about her WWI novel The Moon Field) and was generally very well attended, which the first festival was not. In between the meetings and emails there was also time to be creative. For the first Festival I did a literary walk with Michael Eaton and for this one ran a game of Masterbwainz, whereby we brought back dead writers from Nottingham’s past to raise awareness of local literary history.

There were teething problems with the festival which were inevitable given the small turnaround in which we had to structure the programme and market events, but overall I think it was fantastic and something I feel very proud to have been involved with. There are still areas in which we need to improve; in particular defining roles and how we communicate internally and externally. Agreeing on the identity of the festival and its function is important too, but we’re nearly there in that we are a Festival of Words rather than a Literature Festival. And the website desperately needs tarting up so it has a bit of magic. These things are possible with time, the thing all of us are chasing.

I stepped down as a director of the Festival on Wednesday because I feel as if my work is done. Although stepping down doesn’t mean I’m free. There are still ways in which I will be involved but not at the forefront or in an official capacity. More of a gobby backseat driver.

The Festival is in great shape and with a bit of preening here and there will become a handsome devil. NWS is already represented by Anne McDonald so there is no need for two of us to be involved. At NWS I have slowly tried to devolve roles for the Board and Anne’s role has been working on the Festival, so it makes complete sense for her to carry on in this capacity. And she has done an incredible job and deserves full credit, alongside Jacqueline Gabbitas, Sarah Dale, Pippa Hennessy and many many others. Nottingham, you don’t know how lucky you are.

There are quite a few reasons for stepping down, which I expressed with a few people prior to the festival. Firstly, I am worried that the local literary scene is getting too incestuous. I have too many ‘hats’ on and this could create the impression the literature scene is closed off. It’s not. You get sucked into a lot of things through being the Chair of NWS. Secondly, wearing too many hats can create a conflict of interest which can lead to miscommunication. Thirdly, the devil is in the detail. It is simply not possible to give things your full attention when there is so much else going on. My priority is now with the UNESCO City of Literature bid – which is something that, in many ways, has been born out of the festival as it helped to bring organisations closer together. And lastly, I’m sick to death of emails and meetings and so need to trim these away a bit to concentrate on my two very needy children who I love dearly. They are Dawn of the Unread and Being Arthur (The Sillitoe Trail: II).

 

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Festival of Words highlights

Illustration: Raphael Achache

It’s Nottingham’s second Festival of Words (13-19 October), below is a few highlights to get you in the mood. We’ve got a real international flavour this year with bloggers and writers from as far afield as Afghanistan, Syria and Leicester. This is a particularly important festival as it also ties in with Nottingham’s bid to become a UNESCO City of Literature. So we really need bottoms on seats. This year we were successful in getting a £15,000 Arts Council Grant as well as extra funding to bring over international writers (the first festival was done out of sheer rage and love) but it won’t mean anything if nobody turns up. So please dab in and spread the word or else your city will be nothing more than a refuge for Poundstretchers, Tesco Express and American coffee chains…


Telling Tales: Nottingham kids’ festival of imagination
Pack the kids off to their own literary festival where they can join in animation sessions, drama workshops, or create their own cartoons. If none of this interests them, they can overdose on Ribena and just run around screaming.

Saturday 11 October, 10am-5pm, free, Lady Bay


Writing from China
When a Starbucks gets changed into a noodle bar and a pub becomes a karaoke bar, you know the city centre is changing. Will Buckingham is joined in conversation by Beijing author Karen Ma (Excess Baggage) and Rhiannon Jenkins Tsang (The Woman Who Lost China) for a discussion about life with the dragon.

Monday 13 October, 7.30 – 9pm, £4/£3, Nottingham Writers’ Studio

 Lina Ben Mhenni

Faultlines
The world’s in a right shitstorm at the moment, which means a lot of writers are in exile. Belfast playwright Gary Mitchell was forced into hiding following his depictions of life in Loyalist communities. Poet Suhrab Sirat is unable to return to war-torn Afghanistan and blogger Lina Ben Mhenni joins us from Tunisia where she continues to document the Arab Spring despite intimidation. They will read and discuss their work with Jo Glanville, Director of English PEN.

Tuesday 14 October, 7.30 – 9.30pm, £5/£4, Sillitoe Room, Waterstones


Lyric Lounge
The East Midlands’ travelling spoken word festival offers some gobby goodness from Shonaleigh Cumbers, Joel Stickley MC, Sophie Snell and Mark Gwynne-Jones, the poet once described as ‘Quentin Tarantino on milk’. There’s also a chance to give it some flannel in the Storytelling Open Mic.

Thursday 16 October, 6pm, £5, Nottingham Contemporary


Ali Smith in conversation with Jon McGregor
The author of The Accidental, Girl Meet Boy and Artful, her most recent novel, How To Be Both,is shortlisted for this year’s Booker. Joining her for a natter is Jon McGregor, author of If Nobody Speaks of Remarkable Things. There is a book signing afterwards for anyone hoping to make a few bob on eBay.

Friday 17 October, 7.30pm, £12/£10, Lakeside Arts Centre


Commonwealth_Short_Story_Prize_Jennifer_Makumbi_2014


Jennifer Makumbi
Having grown up in Uganda, home of Joseph Kony and some atrocious human rights issues, her writing is largely based on oral traditions. Her debut novel, Kintu, explores the ancestry of a family and the history of her country, as heirs survive the loss of their land, the denigration of their culture and the ravages of war. Her short story Let’s Tell This Story Properly won the Commonwealth Short Story Prize in 2014.

Saturday 18 October, 1.30pm – 2pm, free, Lecture Theatre 5, Newton Building, Nottingham Trent University


Kavya Rang: Ghazal
International star of Indian music, Dev Dutt Joshi, will take you through musical genres including Bollywood, Ghazal, Bhajan, Qawalli, folk and fusion. He will be strutting his stuff with Sunil Gossai (tabla) and Siddharth Singh (guitar). Ghazal is an ancient form of Arabic verse, around central themes of loss and love.

Sunday 19 October, 3.30pm-5.30pm, £10/£7, Council House


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Dawn of the Unread presents: MasterBrainzzzs!
In the tents on Slab Square there’ll be a Mastermind with a difference as four dead writers are brought back to life and quizzed on their literary relevance. Lydia ‘Magnus’ Towsey will be asking the questions, arranging a bwain eating competition, and our former editor Al Needham will be made up as a zombie.

Sunday 19 October, 3pm-4pm, £3/£2, Word Tent 2, Market Square


Tickets can be purchased from the Nottingham Playhouse Box Office (Tel: 0115 941 9419) or on the Festival of Words website.


Festival of Words website

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