Paper rounds and pondering

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The benefit of having to drop my son off at 6.30a.m to do his paper round is that I get to see the world naked and silent in the morning. Usually I come back and switch on the radio as I potter around the house but today I sat down on my step and looked out across the street and up towards the sky. It made me think two things. Firstly I thought about my surname Walker and whether my heritage has impacted on my consciousness in any way. Ever since I was twenty I have constantly moved about between the cities of Cambridge, Manchester, Leeds and Nottingham. No matter where I have lived I have always had to commute in some shape or form, largely as a result of getting divorced and needing to get back to see my son each week. Now I am firmly settled back into Nottingham and close to my son I find myself commuting back to Leeds every couple of weeks to maintain the strong and wonderful friendships I made there. I realised this morning that there’s something unsettled inside me, something nomadic perhaps, that is constantly looking for excuses to ‘get away’ and escape. I have no interest in tracing my family line or finding out if my Great Aunt was a crook or an aristocrat. But today I realised the significance of my name – Walker, and wondered if there is anything within my gene pool that subconsciously keeps forcing me away.

The second thing about this morning is what I can only describe as the defiance of nature. As I looked up at the sky my vision was blocked slightly by the various naked trees and bushes that protrude awkwardly up out of my garden. Without the green frippery of leaves to distract the eye, the sharpness of the branches and the thickness of the root really stood out. I enjoyed turning my head around and watching the sky get cut up in various ways by the tessellating patterns of the branches. Maybe that’s the point of the seasons, to reveal what’s hidden beneath. The trees don’t really need the leaves. They’re just decoration. Today the branches just seemed so defiant, stoical, proud.   

So what’s this all got to do with a writing blog? Well it’s always related to writing, that’s the curse. It got me thinking about the significance of character’s names in my work and how important context is in shaping their reactions to situations and people. This is part of the whole editing process, making sure the anecdotes are relevant, that the gestures reveal something about the character. Having re-read my book well over a hundred times now (or so it seems) I think I’ve shed all of the unnecessary ‘green frippery’ and left a solid carcass.

My book This is All I Know starts at 5.30a.m in the morning and ends at the same time a year later. The character sits on a step after discovering he’s got a woman pregnant and that this is going to complicate his relationship with his existing son. I have tried to write the book as subtly as possible, using simple imagery to convey his dislocation from his circumstances and now those trees seem the perfect image of defiance to capture a particular moment.

I guess instead of blogging I should be seeing if this image works – as it may not. But I need a little longer to contemplate it further. This is the whole joy of writing. Becoming completely obsessed by a mood, thought, image etc and then toying with it for hours. And of course writing is nomadic. Writing is about finding homes for things, about exploring possibilities, a constant travelling of the mind. So maybe there is something in the old family name and maybe there is something to be said about being inconvenienced by an early start to the day that would otherwise have been spent curled up in bed. And if it doesn’t materialise into a font at the very least it has been a pleasurable distraction that will occupy my thoughts for the next few weeks before it is replaced by the pitch of a beeping car, the rustle of leaves, something someone says on a bus, a headline in a paper. Who knows, but there will be something else at some point. Just probably at a more sociable hour.

Nottingham Writers’ Christmas party

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I attended my first ever writers’ Christmas party and I’m glad to report it was as debauched as any office party I’ve been to. Granted no-one was trying to shag each other on the stairs and there weren’t any drunken bouts of vocal honesty that could ruin your career, but there was plenty of drinking. The £80 budget went on wine and bottled lager with a random orange juice cartoon thrown in for aesthetic purposes. The food paid homage to a 70’s tuppaware party with peanuts and two flavours of crisp and a tray of mince pies. Perfect. The only thing missing was pigs in blankets or ‘pigs in duvets’ as I once mistakenly referred to them as – my ignorance born of a vegetarian diet.

As always Michael Eaton was on fine form, recalling earthy local stories from his childhood and then filtering in a couple of more high brow escapades. He’s a man who obsesses about which side of the river you were born on, which he believes can be detected in slight inflections of accent. Hearing him dissect up the city you’d think we were living in Derry. He should be made Mayor of Nottingham, with Al Needham as his trusty Depute. Michael will be giving a talk at Nottingham University soon as part of the Year of the Writer programme put forward by Writer-in-Residence Arthur Piper. I strongly urge readers attend this not only for the way he commands the stage but because he’s a man who underplays an amazing achievement in film and television with real Cowboy swagger.

The event was also used as a brief launch for Weathervane Press who have just published Make Less Strangers by twenty-something author Steven Wilcoxson. Steven is too shy to read his own work in public so Ian Collinson stepped in, but Steven was happy to answer any questions. It was quite a surreal, almost ventriloquist type experience, like watching a father nurturing his son. Unfortunately authors can no longer hide behind the written page. Marketing and self-promotion are deemed vital statistics and a necessary prerequisite if you are to survive in these murky waters. I enjoyed the written extract and it reminded me a little of Chris Killen in its precise, detached listing of events. As Steven is a local lad we won’t be allowing such modest mannerisms to thwart his career. We intend to kidnap him from his bedroom and drag him down to Stone Soup studios for a podcast and rid him of his stage nerves.

Weathervane also announced that they will be publishing Megan Taylor’s second novel The Dawning in January. This is great news as we announced in our last issue that they had a call for submissions for a female author and sure enough it has paid dividend. If you’re a female author and have a manuscript in the loft, get in touch with them now!

Watching Weathervane grow is one of the pleasures of being a member of the Nottingham Writers’ Studio as you get to see first hand the various complexities the industry throws out. For example, Weathervane’s second release by Marty Ross Aztec Love Song came out on Oct 1st which in the publishing industry is known as ‘Super Thursday’. This is when all the major publishers launch endless celeb autobiographies as potential stocking fillers, ensuring a Chav stampede down the aisles of Asda. The downside for Weathervane is it means review space gets gobbled up in the press which is of course the life blood of a small publisher. Luckily, (oh lucky, lucky) LeftLion was on hand to slip a review into our December issue, courtesy of Theatre Writing Partnership coordinator Bianca Winter. Bianca is a literature sadist who recently read the entire Booker longlist and now plans to do similar for previous years. She might even write us an article on her findings if we’re lucky. So watch this space.

Meeting people of a similar persuasion is a reason for joining the studio because it helps to dispel all the elitist myths about writers being all lardy da. Instead you have a group of normal people all trying to make a living from the thing that they love with exactly the same fears, hopes and dreams as you and I. Journalists discuss the merits of forming sub groups to share ideas with each other about emerging markets, scriptwriters ask for advice on locations for plays, poets tell you about performance tips and author’s such as Nicola Monaghan smile when they see their face on our Stg. Pepper mock up, alongside Bin Laden, Gary Glitter and the Fishman. I just hope that this hub of creativity is able to gain continued funding and that the wealth of talent inside – with peanuts wedged between the gaps of their teeth – are able to work together and create revenue streams that will enable it to become self sufficient.

This Friday (Dec 4th) WriteLion will be presenting an hour special at the Arts Organisation and introducing Hello Hubmarine. Entrance is free, bring your own bottle, peanuts not included.